delphin alard造句

例句与造句

1. He studied at the Conservatoire with Jean Delphin Alard and Fromental Halevy.
2. He had started a set of chamber concerts with Jean-Delphin Alard and Auguste Franchomme with great success.
3. The " Alard Stradivarius " receives its name from French violinist Jean-Delphin Alard, its most famed owner.
4. Premiers Solos ", edited by 蒻ile Decombes, a teacher at the Delphin Alard, that had previously appeared elsewhere.
5. Along with the violinist Jean-Delphin Alard, teacher of Pablo de Sarasate, and the pianist Charles Hall? creator of the Soci閠?des Concerts du Conservatoire.
6. It's difficult to find delphin alard in a sentence. 用delphin alard造句挺难的
7. A scholarship permitted Gim閚ez to enrol at the Conservatoire de Paris in June 1874, where he studied violin with Jean-Delphin Alard and Teatro Apolo de Madrid, and shortly afterwards, of the Teatro de la Zarzuela.
8. His pupils included Luigi Agnesi, Jean-Delphin Alard, Juan Cris髎tomo Arriaga, Louise Bertin, William Cusins, Julius Eichberg, Ferdinand H閞old, Frantz Jehin-Prume, Jacques-Nicolas Lemmens, Adolphe Samuel, and Charles-Marie Widor.
9. Under Auber, composition teachers included Adolphe Adam, Hal関y, and Ambroise Thomas; piano teachers, Louise Farrenc, Henri Herz, and Antoine Fran鏾is Marmontel; violin teachers, Jean-Delphin Alard and Charles Dancla; and cello teachers, Pierre Chevillard and Auguste Franchomme.
10. His bows have been used by the greatest soloists, among them Jean-Delphin Alard, Charles Dancla, Eug鑞e Ysae, Mischa Elman, Jacques Thibaud, Isaac Stern, Emanuel Feuermann, Pinchas Zukerman, William Primrose and today Jian Wang and Viktoria Mulova . "  Gennady Filimonov
11. One day Tarisio was discoursing to Vuillaume on the merits of this unknown and marvelous instrument, when the violinist Delphin Alard, who was present, exclaimed :'Then your violin is like the Messiah : one always expects him but he never appears'('Ah, 鏰, votre violon est donc comme le Messie; on l'attend toujours, et il ne parait jamais').
12. She has formed a successful duo with Elizabeth Cooney performing rarely heard violin duo repertoire in dynamic and diverse performances, exploring works ranging from the baroque to the contemporary by Jean Delphin Alard, Darius Milhaud, Henryk Wieniawski, B閘a Bart髃, Alfred Schnittke, Sergei Prokofiev, George Enescu, Paul Constantinescu and Jackie McLean or works for two violins and piano by Johann Sebastian Bach, C閟ar Franck, Alfred Schnittke, Bohuslav Martino
    , Eug鑞e Ysae, Anton Arensky, Dmitri Shostakovich, Pablo de Sarasate, Erich Wolfgang Korngold, Gabriel Faur?and Jean Fran鏰ix.
13. Upon Tarisio s death, in 1854, French luthier Jean Baptiste Vuillaume of Paris purchased " The Messiah " along with Tarisio's entire collection . " One day Tarisio was discoursing to Vuillaume on the merits of this unknown and marvelous instrument, when the violinist Jean-Delphin Alard ( Vuillaume's son-in-law ), exclaimed :'Then your violin is like the Messiah : one always expects him but he never appears'('Vraiment, Monsieur Tarisio, votre violon est comme le Messie des Juifs : on l'attend toujours, mais il ne para顃 jamais').
14. A sort of dedication can be recognized in Paganini's own score, where he annotated between 1832 and 1840 the following'dedicatee'for each " Caprice " ( possibly ready for a new printed edition ) : 1 : Henri Vieuxtemps; 2 : Giuseppe Austri; 3 : Ernesto Camillo Sivori; 4 : Ole Bornemann Bull; 5 : Heinrich Wilhelm Ernst; 6 : Karol J髗ef LipiD
    ski; 7 : Franz Liszt; 8 : Delphin Alard; 9 : Herrmann; 10 :; 11 : Sigismond Thalberg; 12 : Dhuler; 13 : Charles Philippe Lafont; 14 : Jacques Pierre Rode; 15 : Louis Spohr; 16 : Rodolphe Kreutzer; 17 : Alexandre Art魌; 18 : Antoine Bohrer; 19 : Andreas Jakob Romberg; 20 : Carlo Gignami; 21 : Antonio Bazzini; 22 : Luigi Alliani; 23 : [ no name ]; 24 : " Nicol?Paganini, " ( to my self, regrettably buried ).